Lydia Farrell
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On The Corner, 2022
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Firebug, 2022
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Premature Burial, 2022
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Funereal Moon, 2022
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Undertow, 2022
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"Thank You, Friends", 2023
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Burning Wilderness, 2021
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Doom Hymn, 2021
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Boxcar Coven, 2020
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Eartha Novella, 2020
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Loose, 2020
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Tales From the Crypt, 2020
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Tanglewood, 2020
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Conference Room, 2017
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Night Tree, 2017
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Untitled (Cemetery), 2024
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Untitled (Highway), 2024
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Untitled (Mountains and Pine), 2024
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Untitled (Neighborhood House), 2024
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Suburban Park III, 2016
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Branches, VT, 2017
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Untitled (Backyard), 2017
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Untitled (Winter Road), 2017
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Untitled (Winter Scene, Violet), 2017
Lydia Farrell is an artist based in her hometown of Littleton, CO. She earned a BA from Knox College, a post-baccalaureate certificate from Brandeis University, and an MFA from Boston University in 2015. After completing her studies, Farrell returned to Colorado in 2016. Her work is deeply influenced by the changing landscapes of Denver’s suburbs, which have been a significant source of inspiration.
Farrell has participated in artist residencies in Beijing, China, as well as at the Vermont Studio Center and the Art Students League of New York's VYT residency.
Farrell’s paintings offer a playful and insightful take on common suburban clichés, using vibrant colors and intricate compositions to transform the ordinary. The work draws from her personal experiences and imaginative vision, depicting moments that blur the line between reality and the surreal.
Many of her paintings evoke a sense of mystery and the supernatural, with eerie imagery such as graveyards, shadowy figures, and otherworldly symbols set against suburban backdrops. Despite the dark undertones, there is an undeniable energy and brightness in the work, amplified by Farrell’s use of fluorescent hues, which give the canvases an electric, almost otherworldly quality. These paintings convey a sense of darkness, but through skillful artistry and craft, they transport the viewer to a more dynamic and uplifting space.
"My paintings are inspired by the suburbs around me, which have remained largely unchanged since I grew up. I often take these familiar landscapes and add elements of gothic, paranormal, or horror movie-like imagery—a kind of suburban wish fulfillment. What sets my work apart is the blend of heavy metal and gothic influences, paired with a textured, painterly approach. I work with thick layers of paint or power sand the surfaces, embracing the atmosphere and energy of horror films and metal, though I don’t aim to create work that’s overtly scary. I enjoy working large, as it allows me room to make bold changes and edit freely.
I’m finally creating the work I’ve always wanted to make. Having the time and space to refine each piece has allowed me to produce something original that speaks to people, and that I can still appreciate even after stepping away from it. I began painting in 2009 during my sophomore year of college, and after discovering the potential of art as a lifelong pursuit, I went on to study at Brandeis and later earned my MFA from Boston University. Though I initially explored music and other creative paths, painting became the medium that truly resonated with me."
-Lydia Farrell